S22: From Rebellion to Restoration

China to 1800

November 3, 2025

Melody: Plum blossom

Winter Blossom as Metaphor

Wang Mian 王冕 (1287–1359), Fragrant Snow at Broken Bridge 墨梅圖, Metropolitan Museum of Art

The plum blossom endures the cold of winter, blooming even more in the chill; it embodies steadfastness and purity.

Key Questions

  • Collapse of Yuan: Why and how did the Mongol Empire collapse?
  • Yuan-Ming transition: What changed (and what didn’t)?
  • Ming’s Model of Governance: What can the tale of two melons about autocracy (and its limits)?

Three Literati Paintings

Gong Kai 龔開 (1222–1307), Emaciated Horse 駿骨圖, Ink on paper handscroll, 29.9 x 56.9 cm, Osaka Municipal Museum.

Qian Xuan 錢選, Wang Xizhi watching geese 王羲之觀鵝圖, Handscroll; ink, color, and gold on paper, ca. 1295, Image: 9 1/8 x 36 1/2 in. (23.2 x 92.7 cm), Overall with mounting: 11 x 418 13/16 in. (27.9 x 1063.8 cm), Metropolitan Museum of Art.

Ni Zan 倪瓚 (1306–1374), Woods and Valleys of Mount Yu 虞山林壑圖, 1372, ink on paper, 37 1/4 x 14 1/8 in. (94.6 x 35.9 cm), Metropolitan Museum of Art

Gong Kai: Emaciated Horse

Gong Kai 龔開 (1222–1307), Emaciated Horse 駿骨圖, Ink on paper handscroll, 29.9 x 56.9 cm, Osaka Municipal Museum.

Gong Kai: Emaciated Horse, continued

Gong Kai 龔開 (1222–1307), Emaciated Horse 駿骨圖, Ink on paper handscroll, 29.9 x 56.9 cm, Osaka Municipal Museum.
  • After Kublai Khan conquered the Southern Song Dynasty in 1279, Gong Kai remained loyal to the Song and refused to serve the Mongols, fleeing to Jiangnan and living in poverty.
  • The emaciated horse in his painting symbolizes his personal hardships and his rejection of government service.
  • It also represents the decline of China under Mongolian rule, contrasting with the strength of China in earlier dynasties.

Qian Xuan: Wang Xizhi Watching Geese

Qian Xuan 錢選, Wang Xizhi watching geese 王羲之觀鵝圖, Handscroll; ink, color, and gold on paper, ca. 1295, Image: 9 1/8 x 36 1/2 in. (23.2 x 92.7 cm), Overall with mounting: 11 x 418 13/16 in. (27.9 x 1063.8 cm), Metropolitan Museum of Art.

Qian Xuan: Wang Xizhi Watching Geese, continued

Qian Xuan 錢選, Wang Xizhi watching geese 王羲之觀鵝圖, Handscroll; ink, color, and gold on paper, ca. 1295, Image: 9 1/8 x 36 1/2 in. (23.2 x 92.7 cm), Overall with mounting: 11 x 418 13/16 in. (27.9 x 1063.8 cm), Metropolitan Museum of Art.
  • Wang Xizhi is a renowned third-century figure famous for calligraphy inspired by goose movements and noted for moral integrity.
  • Geese may symbolize warfare, particularly against northern peoples.
  • The simplistic figures and bright colors convey meanings that were understood by the literati-in-exile during Qian Xuan’s time.

Ni Zan: Woods and Valleys of Mount Yu

Ni Zan 倪瓚 (1306–1374), Woods and Valleys of Mount Yu 虞山林壑圖, 1372, ink on paper, 37 1/4 x 14 1/8 in. (94.6 x 35.9 cm), Metropolitan Museum of Art

Ni Zan: Woods and Valleys of Mount Yu

Ni Zan 倪瓚 (1306–1374), Woods and Valleys of Mount Yu 虞山林壑圖, 1372, ink on paper, 37 1/4 x 14 1/8 in. (94.6 x 35.9 cm), Metropolitan Museum of Art
  • “Woods and Valleys of Mount Yu,” painted two years before Ni Zan’s death, reflects his contentment as a recluse.
  • The poem concludes with themes of enjoying nature, wine, and poetry, highlighting lasting joyous feelings.
  • Bamboo symbolized the true gentleman—bending but not breaking in the wind, reflecting the scholar’s integrity in adversity.
  • The painting features dry but tender brushwork, conveying a sense of aloofness and restraint.

Excerpt: Dou E’s Monologue

Yuan Drama

  • The plays called ‘zaju’ (meaning ‘mixed performance’) included sung arias, dialogues, mime, jokes, and acrobatics.
  • They featured a blend of lyrical and earthy elements, along with sentimentality and irony.
  • One actor sings as the emotional focus, while the comic character (‘jing’) acts as a farcical villain, trivializing evil.
  • Around 200 playwrights and 737 titles are known, with 207 surviving plays (45 as fragments).

Story of Dou E

Guan Hanqin
  • Written by Guan Hanging (ca. 1220-ca. 1307), recognized as the greatest playwright of the Yuan dynasty.
  • His masterpiece, “Dou E’s Revenge,” tells the story of a young girl whose mother is deceased and whose father is a scholar.
  • While her father is away for civil service examinations, Dou E is adopted by a woman who promises her son in marriage. In the end, she is wrongly convicted of crimes by a corrupt court official for poisoning her father-in-law.
  • Upon her father’s return as an official reviewing capital cases, Dou E’s spirit appears in court and reveals the identity of the true murderer.

Dou E: A Model Rebel?

Dou E and Donkey Zhang, print from the 17th to early 18th century
  • Guan Hanqing foregrounds Dou E’s suffering and agency.
  • Dou E challenges her mother-in-law, denounces villains, criticizes official corruption, and questions justice, showcasing her strength.
  • Moral Complexity: Dou E’s actions push against traditional morality while still embodying values like filial piety.

Why Drama?

  • Is growth of drama related to Han Chinese scholars expressing frustration under Mongol rule? Not a proven link.
  • The Mongols favored colloquial Chinese over literary Chinese, increasing its use. Yuan playwrights wrote in this style, adding new words and grammar that enriched the Chinese language.
  • The publishing industry flourished during the Yuan, creating many encyclopedias for a popular audience.
  • Playwriting likely flourished alongside a vibrant urban culture in the 13th and 14th centuries, creating a strong bond between playwrights and their audiences.

Fall of Mongols: Succession Crisis, Again

Toghon Temür
  • After 1332, issues leading to the dynasty’s fall became apparent when Toghon Temür, a thirteen-year-old boy, was named emperor.
  • The Mongol chancellor aimed to restore early Mongol policies, including reducing imperial expenditures to combat inflation, but also enforced a strict separation between Chinese and Mongol peoples.
  • Court factions debated cultural mixing, but a series of disasters ultimately contributed to the dynasty’s collapse.

Little Ice Age

  • The Little Ice Age began around 1270, bringing cooler temperatures than the previous Medieval Warm Period.
  • The first cold phase peaked around 1370, followed by a mild period lasting about a century, then global cooling resumed around 1470.
  • The Yuan dynasty collapsed in 1368 during the peak cold period.
  • While temperature changes are not the only factor in dynastic shifts, they are significant in the overall context.

Everything, Everywhere, All at Once

Floods

  • The Yuan dynasty started with 40 years of dry weather, then had a wet phase from 1308 to 1325, followed by another dry phase from 1352 to 1374.
  • Flooding became common after 1301, with severe floods from 1319 to 1332 causing significant damage.
  • The History of the Yuan recorded more floods than the History of the Ming did in the following three centuries.

Famine

  • Annual locust infestations, often coinciding with floods, severely damaged crops during the Yuan.
  • Hunger was not constant but recurred, with major famines about every two years, especially in the chaotic 1320s.

Epidemics

  • The plague is believed to have been introduced to Europe by Mongols during a siege in 1347, originating from the Kipchak Khanate.
  • Common diseases included dysentery, typhoid fever, smallpox, and possibly bubonic plague, which was spread by infected rat fleas.
  • Epidemics were most intense during the last fifteen years of the Yuan (1344–1360)

Beginning of the End

  • The Yellow River often overflowed and changed course, disrupting Grand Canal operations.
  • Officials resorted to sea routes for transport when silting, flooding, or warfare blocked the canal.
  • Rechanneling the river was costly and required a large labor force.
  • The labor corvée of 1351 triggered popular uprisings that contributed to the Yuan dynasty’s downfall.

Summary: Mongol Rule in China

Until recently, scholars primarily focused on the destructive impact of Mongol rule in China:

  • The Mongols caused significant damage during their conquest of North and South China.
  • Mongol rulers were distrustful of Confucian scholar-official and abolished the civil service examinations, a fundamental Chinese institution, which remained banned until 1315.
  • They governed with a clear hierarchy: the Mongols at the top, followed by non-Han, mostly Islamic populations, northern Chinese, and finally southern Chinese at the bottom.

Summary: Mongol Rule in China, Continued

But Mongol rule was also formative period in Chinese history:

  • The Mongols viewed China as just one part of their vast Eurasian empire.
  • Foreign territories, peoples, and cultures were absorbed, from the Tanguts and Khitans to Europeans (such as Marco Polo).
  • New vernacular language and literati culture: Rise of popular dramas and scholar paintings
  • Change to Chinese dynastic tradition and political culture: “The great state”

Zhu Yuanzhang: From Rebel to Ruler

“Real portrait” of Zhu Yuanzhang
  • Zhu Yuanzhang (1328-1398) was born in the poor Huai region and lost most of his family to plague by 1344, later begging as a Buddhist novice.
  • He joined the Red Turban rebels, displaying military talent and strong leadership.
  • In 1368, he defeated rival warlords and remnants of the Yuan dynasty, becoming the first emperor of the Ming dynasty (Hongwu era) and is often called Ming Taizu.
  • His difficult childhood led him to value agriculture and develop a traditional government focused on protecting farmers.

The Great Ming: At a Glance

Provinces and provincial capitals of Ming

At the time of its founding, the Ming Empire had:

  • 60 million subjects (1290-1330)
  • 1.5 million square miles
  • Three Offices for each province: Provincial Administration Commission, Provincial Surveillance Commission, and Regional Military Commission
  • ~1100 counties, overseen by a single magistrate in charge of security, finances, taxes, and public works
  • Counties subdivided into cantons, townships, and wards (~100 families)

Discuss: Proclamation of Hongwu Emperor

A Seated Portrait of Ming Emperor Taizu, c. 1377[1] by an unknown artist from the Ming dynasty. Now located in the National Palace Museum, Taipei
  • What are Emperor Taizu’s worries?
  • How did he talk about himself?
  • How should Emperor Taizu govern the Ming, given his concerns?

Emperor Taizu: Powerful yet Powerless

If I punish these persons, I am regarded as a tyrant. If I am lenient toward them, the law becomes ineffective, order deteriorates, and people deem me an incapable ruler. All these opinions can be discerned in the various records and memorials. To be a ruler is indeed difficult.

Taizu’s Vision for China

A Seated Portrait of Ming Emperor Taizu, c. 1377[1] by an unknown artist from the Ming dynasty. Now located in the National Palace Museum, Taipei
  • Emperor Taizu aimed to eliminate poverty, class conflict, and chaos from his upbringing.
  • He envisioned small farms in harmonious villages where families worked together.
  • Men and women would prioritize caring for their families and paying taxes, without reliance on market production or leaving home for work.
  • Officials would be honest and serve the empire selflessly.

Counting the Population: Yellow Registers

Yellow registers
  • Emperor Taizu of the Ming initiated reforms that provided the central government with detailed information about individuals and landholdings.
  • In 1381, Taizu mandated officials to collect data on all residents, including the head of the household’s name, age, birthplace, occupation, land and animal holdings, and residence size.
  • Four copies of this information were made for each district, prefecture, and region, with the central government keeping a copy in yellow covers, leading to the term “Yellow Registers.”

Counting the Land: Fish-scale Registers

Fish-cale registers
  • In 1387, revenue losses prompted reforms to register landholdings, called fish-scale registers.
  • By 1393, enough data was collected to set provincial and district tax quotas, which became the foundation for future tax collections.
  • However, inflation in the fifteenth century made land-tax revenues insufficient, and officials struggled to update the registers due to manpower shortages.

Commercialization: In Reverse Gear

Hereditary occupation

  • Emperor Taizu continued the Mongol tradition of recording family occupations and assigning labor obligations based on these categories.
  • The emperor expected all taxpayers to continually perform the same services without changing occupations.
  • Every 110 families formed a unit, with the ten wealthiest families serving as headmen, who were responsible for ensuring that the poorer families fulfilled their labor obligations and paid their taxes.

Turning away from market

  • The government retained a monopoly on copper and silver mines, forbidding private mining, but citizens were encouraged to pay taxes using these metals to remove them from circulation.
  • Private merchants were also banned from engaging in sea trade.

Taizu Emperor’s Model of Governance

  • Emperor Taizu aimed to eliminate Mongol influences and restore Song models, appealing to his Confucian advisors and popular ethnic sentiments.
  • Despite his intentions, Zhu’s regime often mirrored Yuan practices, blending Mongol and Song traditions into a new model of rule.

Ming’s First – and Last – Prime Minister

Hu Weiyong (?-1380)
  • In 1376, he purged about 10,000 officials for leaving tax reports blank.
  • In 1380, he accused Prime Minister Hu Weiyong of plotting against him. Though the charges might have been false, they highlight Hu’s power.
  • Zhu eliminated Hu and many associates, resulting in around 15,000 victims and about 40,000 officials executed over the next 14 years.
  • After the purges, government operations depended on the emperor’s capabilities, as key agencies were dismantled.
  • Zhu later reappointed low-ranking officials to form a cabinet called the Grand Secretariat by the 1420s, but it lacked the authority of the former prime minister.

Oriental Despotism?

Autocracy

  • Enhanced concentration of power in the imperial institution
  • The “nature” of Chinese society

Despotism

  • Focus on individuals or their personalities
  • “Oriental Despotism” theory: Karl Marx, Hegel, Karl Wittfogel

But how powerful was the monarch really? How did ordinary officials respond to his demands?

Discuss: A Tale of Two Melons

In 1372, Emperor Taizu received an unusual gift from Jurong, Jiangsu, his ancestral home: Two melons sharing a stalk. What could it possibly mean?

Role play in three groups:

  • Court Officials
  • Emperor Taizu
  • Local officials from Jurong

Jurong

  • Hometown of Emperor Taizu
  • Center of Daoism, with magical fauna
  • Part of the same prefecture as Nanjing, Taizu’s choice of permanent capital
  • 426 rural villages, with a population of 206,000 people in early Ming
  • Governed by a single magistrate, with small staff assisting with collecting tax, settling lawsuits, and keeping peace

Court Officials

  • Praise to his Majesty: The melons were a sign that Taizu held the mandate of heaven.
  • Jurong origin of double melons was highlighted to persuade Taizu to choose Nanjing as the capital instead of Zhongdu.
  • Melons, as symbol of a united Ming empire, was a sign for further northern expansion.
  • Scholar-officials claimed the right to interpret omens and mediate between Heaven and the emperor.

The Emperor

  • Family farms are independent centers of virtue, which is reflected in their produce.
  • Emperor Taizu concerned about being manipulated by officials through selective reporting of omens.
  • As a self-taught reader and writer, he tried to himself from flattering officials to assert his own right to interpret omens.

Local Officials

  • Lucky melons the fruits of good governance of magistrates.
  • Good omens linked to local officials, rather than the emperor.
  • Gambit for promotion: Recommendation for virtue or talent.
  • Lukewarm reception from the emperor, alas.

Monarch and Ministers

  • The Emperor: Powerful, but also powerfully insecure.
  • Court officials: Not a monolith, but factionalized and embedded in local interests.
  • Literati try to contain and channel the emperor, using the omen to promote their preferred policy.
  • Agency problem: “Heaven is high and the emperor is far away”

Taizu Emperor’s Troubled Fiscal Legacies

  • The Ming registered people and land, focusing exclusively on agrarian revenue.
  • This reliance on agrarian revenue marked a shift from previous dynasties that relied on commercial taxes and monopolies.
  • The Ming founder’s belief in an unchanging economy led to freezing land taxes at late-fourteenth-century levels, despite rising revenue needs.
  • These conservative fiscal measures limited the government’s ability to respond to global events and their impacts in 1492.