S20: Our Culture

China to 1800

October 29, 2025

Only this blue-green

Blue-Green Realms in Chinese Painting

Emperor Minghuang’s Journey to Sichuan; a blue-green shan shui painting depicting the flight of Emperor Xuanzong from Chang’an, a late Ming dynasty painting after an original by Qiu Ying (1494–1552)
  • Two mineral colors, blue and green, together with gold, used to produce fine line drawing in landscape painting.
  • First developed in the Tang wall paintings at the Mogao Caves in Dunhuang.
  • In later periods, blue-green landscapes were used to reference the distant past or idealized paradisiacal realms.
  • With the pigments associated with alchemical practices, the paintings represented not just the natural world, but also embodied magical properties linked to the realms of immortals.

Wang Ximeng: A Thousand Miles of Rivers and Mountains (full)

A Thousand Li of Rivers and Mountains, Wang Ximeng, Song dynasty. Palace Museum, Beijing

Wang Ximeng: A Thousand Miles of Rivers and Mountains

Partial of A Thousand Li of Rivers and Mountains, Wang Ximeng, Song dynasty. Palace Museum, Beijing
  • Sweeping ink-and-color on silk scroll painting: Measuring 51.5 by 1191.5 cm
  • Only extant work from Wang Ximeng (1096-1119)

Chronology: Song-Yuan Transition

Year Event
1206 Chinggis Khan (born Temüjin) proclaimed leader of all Mongols, establishing a confederation.
1227 Destroyed the Tangut Xi Xia dynasty.
1230-1234 Launched major offensives against the Jurchens, ending with collapse of the Jin dynasty.
1236 Invaded the Song empire, starting with Sichuan.
1271 Yuan Dynasty proclaimed.
1276 Mongols gained full control of south China.

Key Questions

  • Reflections on the Song: How did China become Chinese?
  • What is a literati painting? Why is it valued?
  • Who were the Mongols? How did they take over China (and the rest of Eurasia)?

Recap: Qingming Scroll

Bridge scene
  • What about this scene do we think is idealized?
  • What do we learn from representations of idealized societies?
  • What can we learn from what is missing from this representation?

Summary: Song Splendor

The Northern Song dynasty emerged as the world’s most advanced civilization, characterized by rationality, efficiency, predictability, and economic dynamism.

Partial of “Court ladies preparing newly woven silk” 搗練圖卷, Attributed to Emperor Huizong of Song 宋徽宗 (b. 1082 - d. 1135), 12th century, Northern China
  • Early emperors transformed China by using a competitive civil service exam to select skilled scholar-officials.
  • The education and competence of Song officials distinguished them from Tang officials and elites in other societies.
  • Song China was efficient and pragmatic: Confucian rule through reliability and responsibility rather than fear or control.

Summarize: Northern Song China

  • The Song had made peace as a brother state with the Liao and the XiXia.
  • Half the population lived in the South and most of the policy-makers came from there.
  • The South had a booming commercial and agrarian economy with cheap water transport.
  • Taxes on commerce had grown to exceed taxes on land.
  • The great clans had disappeared.
  • Scholar-officials were selected into government primarily for their literary skill.

Qingming Scroll as Memory

Literatus riding
  • The Qingming scroll was created during the Southern Song period after the Jurchen invasion.
  • The invasion caused mass displacement, with many fleeing south and the capital being relocated.
  • The painting does not depict this upheaval; instead, the scroll highlights daily life, commerce, and community celebrations.

From Jurchen to Jin

Map of Jin Dynasty
  • The Jurchen first appeared in Chinese history in 903 and originally lived south of the Amur River in what is now Russia.
  • After 926, some Jurchen settled in the Manchurian plains and along the Sungari River in present-day Heilongjiang province.

Rise of Jin Dynasty

Wuqimai (Emperor Taizong, r. 1123–1135) of Jin
  • Aguda, the founder of the Jin dynasty, died in 1123, before witnessing the military successes he initiated.
  • His successor, Wuqimai (Emperor Taizong, r. 1123–1135), continued aggressive campaigns against neighboring states.
  • In 1124, Taizong secured a peace treaty with the Xi Xia ruler, who recognized Jin suzerainty.
  • In early 1125, Jin troops captured Liao Emperor Tianzuo near present-day Yingxian in Shanxi province.

Collapse of the Northern Song

Jin dynasty circuits
  • In 1123, the Song and Jin exchanged formal oath letters, with Song agreeing to pay the Jurchen silk and silver as tribute.
  • The treaty equated the Song and Jurchen leaders as “august emperor,” indicating they were equals.
  • Emperor Huizong abdicated in favor of his son Qinzong in a failed attempt to fend off the Jin threat.
  • In 1127, the Jurchen captured the Northern Song capital of Kaifeng and took both Huizong and Qinzong prisoner.

Li Qingzhao (1084-1155)

Li Qingzhao
  • One of China’s greatest female poets.
  • Married historian Zhao Mingcheng, sharing a passion for literature and art.
  • After his death, she faced hardships, with her poems reflecting love, loss, and nostalgia.
  • Remarried for financial reasons but later “divorced” second husband by suing him (for misrepresenting his record of taking the civil service exam!)

Li Qingzhao: “Slowly, Slowly”

聲聲慢

李清照

尋尋覓覓,冷冷清清,凄凄慘慘戚戚。 乍暖還寒時候,最難將息。 三杯兩盞淡酒,怎敵它、晚來風急? 雁過也,正傷心,卻是舊時相識。

滿地黃花堆積。憔悴損,如今有誰堪摘? 守著窗兒,獨自怎生得黑? 梧桐更兼細雨,到黃昏、點點滴滴。 這次第,怎一個愁字了得!

“Slowly, Slowly”

Li Qingzhao

Searching and seeking, cold and desolate, sorrowful and gloomy. In the time when warmth suddenly gives way to cold, it is the hardest to find rest. Three cups and two small bowls of light wine, how can they withstand the urgent evening wind? As the geese pass by, I feel heartbroken, yet they are old acquaintances.

The ground is piled with yellow flowers. Withered and worn, who can pick them now? Watching by the window, how can I endure the darkness alone? The phoenix trees are further drenched by the fine rain, dropping bit by bit at dusk. In this situation, how can one word—sorrow—suffice?

Demographic Shift: From Northern to Southern Song

1110

  • Northern Song registered 20.8 million households
  • A population of approximately 104 million

1159

  • 22 years after Jurchen Invasion
  • Only 11.1 million households registered

What conclusion can we draw from the change in population figures?

Other Figures

The Jin census of 1187

  • Population of 44.7 million, including 40 million Han Chinese and 4 million Jurchens
  • Han Chinese comprised 90% of the Jin empire’s population.
  • Kaifeng accounted for nearly a quarter of all households in the Jin empire.

The Southern Song’s 1187 figures

  • 12.3 million households
  • With 4-5 people as average household size, this suggests a population of about 61.8 million.

Southern Song: Recovery and Resilience

Map of Southern Song
  • Initial Southern Song figures are likely an undercount due to landholding concentration among the gentry and decreased state capacity in land registration.
  • China’s total population could have reached 106 million by 1187, recovering from the wars and migrations of the 1120s.
  • In the thirteenth century, nearly half of humankind lived in China.

Chronology: Southern Song

Year Event
1126 Jurchen invasion; Song court decamps to the South
1127 Founding of the Southern Song dynasty
1279 Collapse of the Southern Song

Road to Co-Existence

Cities of the Song
  • In 1141, the Song dynasty signed a peace treaty with the Jin, agreeing to annual tribute payments of 250,000 ounces of silver and 250,000 bolts of silk, marking the Song as an “insignificant state” under a “superior state.”
  • The treaty confirmed the Song’s status as a subject state after fifteen years of conflict.

From Conflict to Co-existence

Just as the Song was unable to recapture the North, the Jin could not subjugate the South, either.

  • The Battle of Caishi in 1161, won by the Chinese against Jurchen forces at the Yangzi River, was historically celebrated for preserving Chinese culture from “barbarian” destruction.
  • Following this battle, a peace treaty was signed that replaced the humiliating term “vassal” for the Song dynasty with the more respectful terms “uncle” and “nephew.”

Confucian Revival in Southern Song

Emperor Xiaozong of Song 宋孝宗 (1127-1194), National Palace Museum, Taipei
  • Emperor Xiaozong, the next emperor, restored the reputation of military hero Yue Fei and other officials unjustly treated by the peace faction,.
  • Xiaozong abdicated on February 18, 1189, after 27 years of rule, due to mental illness.
  • In 1195, his successor Emperor Ningzong’s rule initiated a dynastic revival and appointed notable scholar-officials, including Neo-Confucian thinker Zhu Xi, to government roles.

Metaphysical Challenge

The Challenge:

  • Classic texts do not provide an explicit connection between individual ethics and the natural world.
  • Philosophers like Wang Angshi wrote commentaries on institutional design, but they don’t focus on individual moral behavior.

Neo-Confucian Contribution:

  • Morality is found within the natural order.
  • But unlike other elements of nature, humans have the unique ability to translate this natural order into social life.
  • The Sages exemplified this translation of natural order into societal structures.
  • The Classics were authored by individuals who recognized their internal nature as part of an integrated universe.

Confucian Doctrines: Old and New

Confucianism

  • “junzi” (君子): superior man
  • “ren” (仁): humaneness
  • “li” (禮): ritual
  • “dao” (道): the way
  • “xiao” (孝): filiality

Neo-Confucianism

  • “li” (理): principle
  • “gewu” (格物): the investigation of things or the apprehension of the Principle of things
  • “cheng” (誠): the exercise of sincerity or seriousness

Zhu Xi: A Life

Zhu Xi (1130-1200)
  • Born in 1130, after the northern conquest in 1127.
  • His father protested against the humiliating peace treaty imposed on China and was demoted to a rural position away from the capital.
  • Excelled in his education and passed the highest-level civil service exam at the age of 19.

Zhu Xi: Philosophical Turn

Do not expect instant results. If today you learn something or put something into practice, that is something positive. Just do not stop. Little by little you will gain a thorough understanding. […] People advance in their learning when they can rid themselves of the desire to depend on others.

  • However, disenchanted with the regime’s failure to reclaim northern territories, Zhu Xi did not play a significant role in the national bureaucracy.
  • Instead, he chose to focus on intellectual and spiritual inquiries: What is humanity’s place in the cosmos, and why? How can someone become the best kind of person, which in the Confucian tradition was the “sage”?

Summary: Zhu Xi

Zhu Xi developed a coherent system of new Confucian metaphysics, providing a theoretical foundation for Confucian fundamentalism.

  • The Classics are deductions from the axiomatic nature of the world.
  • To understand these deductions, you must first understand the axioms.
  • A moral world derives from individuals who understand first their own coherence within the natural rather than looking to others to define that coherence.
  • We already have our li within us to help us understand it.

Neo-Confucianism: Larger Implications

  • The world is real, not illusion.
  • Anti-Buddhist, but share with Buddhism a concern for the internal processes of the mind and for enlightenment.
  • Epistemological optimism: Ordinary men can become sages, even if they don’t pass the civil service examinations and serve in government.

Canonizing Confucius

Zhu Xi (1130-1200) was a key figure in the Confucian revival during the Song dynasty. He highlighted the Four Books, alongside the traditional Five Classics, as essential for Confucian study, and wrote commentaries on all Four Books.

The Five Confucian Classics

  • Classic of Poetry (Shijing)
  • Classic of History (Shujing)
  • Classic of Changes (Yijing)
  • Record of Rites (Liji)
  • Chronicles of the Spring and Autumn Period (Chunqiu)

The Four Books

  • The Great Learning (Daxue)
  • The Doctrine of the Mean (Zhongyong)
  • The Analects of Confucius (Lunyu)
  • The Mencius (Mengzi)

Neo-Confucianism: From Intellectual Margin to Exam Subject

  • Zhu Xi’s “Collected Commentaries on the Four Books” was the most significant contribution to Confucian philosophy during the Song dynasty.
  • This work became the authoritative reference for daotong, or the Transmission of the Way.
  • In 1313, under the Mongol Yuan dynasty, Zhu’s interpretation of the Four Books became the standard for Confucian thought and the foundation for civil service education until the end of the examination system in the twentieth century.

Printing and Political Orthodoxy

Printing technology facilitated access to literary and historical works for civil service candidates.
  • The examination system was first promoted by Tang emperors in the 7th century to limit the political power of the military aristocracy.
  • Three levels: Prefectural, Provincial, Metropolitan
  • In the Northern Song, degree-holders constituted nearly 40% of officials, compared to only 15% in the Tang Dynasty.

Song’s Examination System

The emperor set standards for authorship, paper, ink, format, and binding; they allowed the state to control the dissemination of knowledge.
  • By the mid-12th century, around 100,000 candidates registered for the prefectural exam annually, reaching over 400,000 by the mid-13th century.
  • Low pass rate: Less than 1% passed the prefectural examination in the 13th century.
  • Exclusive group: The top officials with the highest degrees represented only 0.005% of the population.
  • The examination system was not designed to promote upward social mobility but to maintain exclusivity among the elite.

Confucian Revival in Arts

  • Educated men participated in more than just civil service; they collected antiques, old books, and practiced arts like poetry, calligraphy, and painting.
  • During the Song period, the elite excelled in calligraphy and landscape painting, with many becoming connoisseurs.
  • Upper-class social life focused on these activities, including poetry composition, sharing treasures, and supporting new talents.

Room A

Three Puzzles

Porcelain

  • What is the difference between porcelain and other kinds of ceramics?
  • How was porcelain made? And for whom?
  • What are the key features of Song dynasty porcelain?

Paintings

  • Who was the painter?
  • What do we see? Is it a vision of reality?

Bronzes

  • Why did the Song elites make new bronzes?
  • How did the past matter in contemporary Song politics?
  • What is the relationship between texts and objects?

Making of Ru Porcelain

Making of a Silk Painting

Why Bronzes?

“Listening to the Qin (听琴图)” by Zhao Ji (赵佶)
  • Song antiquaries’ interest in ancient bronze inscriptions was tied to the historical outlook of Song literati.
  • Song scholars believed the Xia, Shang, and Zhou dynasties were a golden age of sage rulers and virtuous governance.
  • This knowledge of virtuous rule was thought to be lost after the Qin dynasty’s burning of classics.
  • Stone carvings, like bronze inscriptions, provided details about historical figures and events, serving as evidence for critiques of history.

Cult of the Antiquity in Song China

Jue vessel
  • Before the Song period, antiquity was mainly understood through texts.
  • The Song era introduced a new approach using authentic historical objects to understand antiquity.
  • Ancient objects were seen as symbols of power, cultural identity, and art.
  • Comparing texts with objects changed the understanding of ancient history.

Room B

Two Paintings

Emperor Huizong 宋徽宗 (1082-1135), Auspicious Cranes (detail), 1112, Northern Song dynasty, handscroll, ink and color on silk, 51 x 138.2 cm (Liaoning Provincial Museum, Shenyang)

Li Cheng 李成 (919-967), A Solitary Temple Amid Clearing Peaks 晴峦萧寺. Ink and light color on silk. 111.76 × 55.88 cm. Nelson-Atkins Museum of Art

Emperor Huizong

Emperor Huizong of Song (1082-1135)
  • Emperor Huizong was the eighth and last emperor of the Northern Song Dynasty, ruling from 1100 to 1126.
  • Patron of the arts, he was talented in painting and calligraphy, especially his unique slender gold style of calligraphy and flower and bird paintings.
  • His reign ended with the invasion by the Jin state, leading to his abdication.
  • Huizong was captured and lived in captivity until his death in 1135.

Emperor Huizong: Slender Gold Style

Slender gold style

Emperor Huizong: Still Life

Emperor Huizong 宋徽宗, Finches and bamboo 竹禽圖, 33.7 × 55.4 cm, Metropolitan Museum of Art

Emperor Huizong: Auspicious Cranes

Emperor Huizong, Auspicious Cranes (detail), 1112, Northern Song dynasty, handscroll, ink and color on silk, 51 x 138.2 cm (Liaoning Provincial Museum, Shenyang)

Emperor Huizong: Auspicious Cranes, details

Emperor Huizong, Auspicious Cranes (detail), 1112, Northern Song dynasty, handscroll, ink and color on silk, 51 x 138.2 cm (Liaoning Provincial Museum, Shenyang)
  • The painting depicts an auspicious event from 1112: twenty cranes flying against a blue sky above the city gates of Kaifeng.
  • At that time, Emperor Huizong was seen as ineffective, leading to the country’s vulnerability to invaders.
  • The artwork seeks to improve Huizong’s image by showing cranes (nature) above the capital’s architecture (human world), symbolizing his belief in the “Mandate of Heaven”, the divine right to rule.

Hangzhou: Symbol of Cultural Attainment

View of West Lake

Kusumi Morikage, View of West Lake, mid-to-late 17th century, Metropolitan Museum of Art

Song Ceramics: Height of Elegance and Technical Perfection

Song Ru Ware Ceramics
  • The decorative arts achieved great elegance and technical perfection during the Southern Song period, with ceramics regarded as the pinnacle of artistic achievement.
  • Like painting, the plastic arts were influenced by two aesthetics: that of the imperial court and popular culture.

Ru Ware: Color of the Sky After Rain

Ru Kiln Celadon Plain Narcissus Basin 汝窯 青瓷無紋水仙盆, Height: 6.9 cm, Width: 23 cm, Length: 16.4 cm, National Palace Museum, Taipei
  • The invention of Ru ware is attributed to a dream of Emperor Huizong: he saw a mystical blue shade through clouds after a rainstorm.
  • Kiln workers experimented with glazes and firing temperatures to create the exquisite celadon color, a blue-grey-green, with jade-like texture.

“Ice Crackle”

Another hallmark of Ru Ware: crazing, fine lines or cracks on the glaze layer.

Ru ware bowl stand, Northern Song, 1086-1125, British Museum

Dish, Stoneware with crackled blue glaze (Guan ware), Southern Song dynasty (1127–1279), Metropolitan Museum of Art

Ru Ware: Perfect Imperfections

Li Cheng: A Solitary Temple Amid Clearing Peaks

Li Cheng 李成, A Solitary Temple Amid Clearing Peaks 晴峦萧寺. Ink and light color on silk. 111.76 × 55.88 cm. Nelson-Atkins Museum of Art

Li Cheng: A Solitary Temple Amid Clearing Peaks

Li Cheng 李成, A Solitary Temple Amid Clearing Peaks 晴峦萧寺. Ink and light color on silk. 111.76 × 55.88 cm. Nelson-Atkins Museum of Art
  • The painting features a solitary Buddhist monastery amid towering mountains and parting clouds, with misty valleys, waterfalls, and carefully placed trees, reflecting the painter’s belief in an inherent order in nature aligned with Confucian cosmology.
  • It emphasizes the unity of Man and Heaven, suggesting that expanding one’s mind connects one to the world.
  • Unlike later Northern Song landscapes, this artwork does not contain exaggerated or dramatic effects.

Scholar Paintings

Li Cheng 李成, A Solitary Temple Amid Clearing Peaks 晴峦萧寺 (detail). Ink and light color on silk. 111.76 × 55.88 cm. Nelson-Atkins Museum of Art
  • Art should reflect scholarly knowledge and self-expression in his art; it is more than mere description and skill.
  • Core elements: moral purpose, references to past styles, and expressive brushwork.

North vs. South

Northern school: Court paintings

  • More intellectual than intuitive
  • More meticulous in detail and execution
  • More interested in the formal relations of objects than in their spirit

Southern school: Literati paintings

  • A wilder, freer style using thick brushstrokes
  • Capturing the forces of nature rather than formal details.
  • Emphasis on intuition and a “sudden awakening” to the “vital principle” and the nature of reality

Contradictions of Literati Paintings

  • Amateur ideal: Officials who painted favored their own work, while professional painters were often looked down upon.
  • Buddhism lost appeal for Confucian scholars like Zhu Xi, but Chan (Zen) Buddhist ideas remained influential and impacted landscape painting without challenging Confucian values.
  • In the West, creativity was seen as avant-garde; in China, it was tied to tradition, celebrating ancient forms. Painters were celebrated for capturing the spirit of a masterwork rather than just replicating it.