S02: Origin Story

China to 1800

September 17, 2025

Descendants of Dragon

Descendants of Dragon: Leehom Wong’s Version

Leehom Wang (1976-), American singer-songwriter and actor

In the ancient East there was a dragon; its name was Zhong Guo (China)
In the ancient East there was a group of people; they were all descendants of the dragon
Under the foot of the great dragon I grow, grow into a descendant of the dragon
Black eyes, black hair, yellow skin, forever a descendant of the dragon

Descendants of Dragon: Original Version

Though I have never seen the beauty of Chang Jiang, through dreams the river’s waters flow
Though I have never heard the strength of Huang He, it surges turbulently in my dreams.

  • Originally written by Taiwanese songwriter Hou Dejian in 1978 following the United States severing ties with the Republic of China (Taiwan) and establishing relations with the People’s Republic of China.
  • Hou wrote the song that night after hearing the news.

Key Questions

  • Who were China’s cultural heroes and sage kings? What can myths tell us about Chinese ideals of rulership?
  • Texts vs. Artifacts: What are the origins of Chinese civilization?
  • What’s the relationship between archaeology and Chinese nationalism?

Time: China Before China

Xia Dynasty:

  • Timeframe: Mythical period, no date in classical texts
  • Evidence: No clear specific archaeological evidence, but archaeological discovery of a large state (Erlitou) in the central plains that corresponds with ancient texts.
  • Legend: The last ruler, Jie, was considered a tyrant.

Shang Dynasty (1600–1050 BCE):

  • Evidence: The first dynasty with clear archaeological evidence.
  • Artifacts: Animal bones and inscriptions found in tombs at the ruins of Yin, the last capital, matching descriptions in ancient texts.

Time: From Neolithic Age to Bronze Age

Neolithic period, ca. 7000–1700 BCE

  • Beginning of a settled human lifestyle
  • A number of distinct cultures developed simultaneously across China, rather than a spread from a singular origin from the Yellow River
  • painted pottery, jade carving,
  • Surplus of wealth and labor, belief in the afterlife, and the emergence of social classes

Bronze Age (Shang Dynasty 1600–1050 BCE and Zhou Dynasty 1046–256 BCE)

  • Rise of centralized government — the Shang royal family, which ruled the kingdom from the capital city.
  • Bronze objects as ritual vessels for ancestor worship, as tools for agriculture, as weapons for warfare
  • Beginning of writing – and beginning of written history
  • Rise of urban city-states and political system of dynastic succession

Place: North China Plains and Beyond

Shang dynasty map

Major archaeological sites in north and central China dating from the second millennium BCE. Wikimedia Commons.

In the Beginning: Creator (and repairer) of Universe

Pangu (盘古): Creator of the universe, separating heaven and earth and transforming into the natural elements upon his death. Represents the origin of the world from chaos and the formation of the natural environment.

Nüwa (女娲): Great disaster struck the world when the pillars supporting the sky were broken. She patched the holes in Heaven with five colored stones, and used the legs of a tortoise to mend the pillars.

Hou Yi and Chang’e

Hou Yi (后羿): “Lord Archer” who shoots down 9 out of 10 suns originally in the sky, sparing one for the humanity. Receives pill of immortality.

Chang’e (嫦娥): Swallowed pill during a criminal break-in and flew to the moon, with jade rabbit as her only companion.

Mid-autumn Festival

Based on lunar calendar. This year: Mon, Oct 6, 2025

Why do we need myths?

Myths are stories that explain the world and human experience. They address universal concerns like birth, death, and the origin of good and evil.

Type of Myth Function
Lost Paradise Gives people hope for a better afterlife through virtuous living.
Golden Age Gives people hope for great leaders who will improve their lives.
Hero’s Quest Provides a model for young people to accept adult responsibilities.
Explanations of Natural Phenomena Reassures by attributing natural events to the actions of gods.

Archetypes

Archetypes are universal symbolic patterns found in stories and characters.

Archetype Features Function
Great Mother A powerful female figure, often a goddess or founder of a people. May have a male equal or be dominant. Represents creation, fertility, and the origin of a culture or society.
Lost Paradise Can be a physical place (difficult to find, or in an alternate reality) or an enlightened state of being. Expresses hope for a return to a state of peace, happiness, and fulfillment, free from war and toil.
Superhero Represents the best qualities of their people, often presides over a golden age. May have a supernatural birth or origin. Embodies ideal traits and provides a model for virtuous behavior and leadership.
Hero’s Quest A journey that begins in the hero’s ordinary world, includes a call to adventure, meeting mentors and allies, facing tests and ordeals, and returning home with a prize. Represents the individual’s journey of self-discovery, overcoming challenges, and achieving personal growth.

When Myths Meet in the Future

NASA: Artemis

  • Artemis is NASA-led Moon exploration program, first established in 2017 to return humans to the Moon and to establish a permanent lunar base.
  • First crewed mission since Apollo 17 in 1972.

China National Space Administration: Chang’e

  • The Chinese Lunar Exploration Program, or Chang’e Project, is a series of robotic Moon missions including orbiters, landers, rovers, and sample return spacecraft.
  • China plans for a crewed lunar landing by 2030.

Artemis, Meet Chang’e

Artemis: Greek Goddess of the Hunt and the Moon, twin sister of Apollo

Chang’e: goddess of the Moon and wife of Hou Yi, the great archer. Known for her ascending to the Moon with her pet Yu Tu, the Moon Rabbit and living in the Moon Palace.

Yellow Emperor

  • Part of “Three Augusts and Five Emperors”
  • Miraculously conceived when his mother, Fubao, received the energy of lightning.
  • Began as the leader of a small tribe and conquered other tribes in the North China.
  • Wife reputed to have discovered sericulture (silk production) and to have taught women how to breed silkworms and weave fabrics of silk.

Remembering the Yellow Emperor

Ma Ying-jeou commemorating the Yellow Emperor

The scene of the ceremony commemorating the Qingming Festival and paying tribute to Xuanyuan Huangdi (the Yellow Emperor) on April 24, 2024
  • Why did Ma Ying-jeou attend the ceremony?
  • What was his message from Taiwan to the mainland?
  • How might people in Taiwan respond to his visit?

Ma Ying-jeou commemorating the Yellow Emperor, continued

The scene of the ceremony commemorating the Qingming Festival and paying tribute to Xuanyuan Huangdi (the Yellow Emperor) on April 24, 2024

和平两岸: Peace across the two shores.

双赢共荣: Win-win and mutual prosperity.

同胞一体: Fellow compatriots as one.

允执厥中: Hold to the middle way faithfully.

Cult of the Yellow Emperor in Republican China

Yellow Emperor on Bank of China Note
  • The Yellow Emperor was first transformed into the progenitor of the Han Chinese, and then into the common ancestor of all Chinese people.
  • Honored as the “legendary ancestor,” he is seen as the founder of not just a state, but a civilization and a blood lineage.

Group discussion: Sage Rulers in Written Texts

Link to reading: https://cnp2509.yilu.org/handouts/s02.html

Get into groups of 3-4 and introduce yourselves:

  • Name
  • Year
  • Gender pronouns

Discuss stories of sage kings recorded in Book of Documents (Shangshu 尚书), a collection of rhetorical prose attributed to figures of ancient China:

  • What makes Yao, Shun, and Yu ideal rulers?
  • What is the relationship between man and god?
  • How should societies be organized?

Yao (excerpt)

Examining into antiquity, we find that the Emperor Yao was called Fangxun. He was reverent, intelligent, accomplished, sincere, and mild. He was sincerely respectful and capable of modesty. His light covered the four extremities of the empire and extended to Heaven above and the Earth below. He was able to make bright his great virtue and bring affection to the nine branches of the family. When the nine branches of the family had become harmonious, he distinguished and honored the hundred clans. When the hundred clans had become illustrious, he harmonized the myriad states. The numerous people were amply nourished and prosperous and became harmonious.

Summary of Yao

  • Yao invented government around 2400 BCE. He created a solar calendar for agriculture and a lunar calendar for counting the months. He delegated authority. He harmonized his subjects.
  • Yao did not appoint his own arrogant son. Instead he found a commoner, Shun, born into a dysfunctional family which he then proceeded to harmonize.

Shun (excerpt)

He established twelve provinces, designated twelve mountains, and dredged the rivers. He set examples of punishment, granting amnesty for minor crimes, and established five types of punishment, including whipping, beating, fines, and exile. He granted amnesty for natural disasters but imposed severe penalties for deliberate crimes. The people were in awe and respected the laws. He exiled Gonggong to the remote island, banished Huan Dou to the high mountains, exiled the Three Miao to the distant wilderness, and executed Gun at Feather Mountain. The four punishments led the entire world to submit. […]

Shun, continued

Shun said: “Oh, Four Peaks! Who can continue the great tasks of the emperor, overseeing the hundred offices with brilliance and benevolence?” They all said: “Bo Yu (Yu the Great) should be the Minister of Works.” The emperor said: “Yes, Yu, you manage water and soil. Be diligent!” Yu bowed and declined, recommending Ji, Qi, and Gao Yao. The emperor said: “Yes, you should go!”

Summary of Shun

  • Worthiness, not family (and certainly not divinity) confers the right to rule.
  • Shun created rituals and ceremonies and ranks and insignia. He provided laws and punishments for every crime. Shun offered sacrifices to gods and spirits.
  • The political system was also a social system - that is, the political system must organize society.

Yu (excerpt)

The Emperor said, “Oh, Yu! At this time, the Miao people are not submissive. You must go on an expedition.”

Yu gathered the lords and swore to the army, “This multitude of people, all listen to my command. These ignorant Miao people, disrespectful and self-admiring, go against the way and ruin virtue. The virtuous are in the wild, and the wicked are in power. The people are abandoned and unprotected. Heaven sends its punishment. Thus, I lead you, the many soldiers, to punish their crimes. Unite your hearts and efforts, and you will achieve merits.”

Yu (excerpt), continued

In thirty days, the Miao people defied the mandate. Yi praised Yu, saying, “Only virtue can move Heaven, reaching everywhere. Fullness invites loss, humility receives benefit. This is the way of Heaven. […]?”

Yu bowed and said, “Yes!” The army returned in triumph. The Emperor then spread his civil virtues, performing the dance of shield and feathers on both platforms. In seventy days, the Miao people were subdued.

Summary: Yu the Great

  • Man Conquers Nature: Contrast this with Noah, who is told by God to save the animals and to passively wait until the waters subside.
  • Civilizing mission: The Miao people subdued by superior “civil virtues”.

Summary: Yu the Great, continued

  • Yu gave the world to his own son, who gave it to his son, and so forth, until Yu’s dynasty, the Xia Dynasty, was overthrown by the founders of the Shang Dynasty.
  • Although Yu created a dynasty where political power remained with one family, the ideal of Yao, Shun and Yu was to hand power between generations to the worthy, not the high-born.

Creation stories compared

How do Chinese stories of genesis compare with other cultural traditions?

Bible (Genesis)

God created the world in six days and rested on the seventh, establishing the seven-day week.

Ancient Indian Mythology (Brahma)

Brahma, the creator god, brought forth the universe and all living beings, emerging from a lotus sprouted from Vishnu. Brahma created the four Vedas (sacred texts) and the four varnas (social classes). He also created various beings, including gods, demons, ancestors, and humans, through his mind and body.

Greek Mythology (Gaia)

Gaia, the earth goddess, emerged from Chaos and gave birth to various primordial beings, including Uranus (the sky), Ourea (the mountains), and Pontus (the sea), and the titans, playing a foundational role in the creation and order of the cosmos.

Creation stories compared

Three Augusts and Five Emperors Exhibition
  • Unlike western mythology and religious texts, the culture heroes are people, not gods, and the stories do not begin with a creation tale.
  • The culture heroes transform people into civilized beings.
  • No concept of intelligent design: Yao looks to the natural world for a model to follow rather than to a Creator for judgment.

Master Narrative: Civilization

Three Augusts and Five Emperors Exhibition
  • Civilization exists to improve the lives of people and to order society.
  • Ruler as benevolent despot or philosopher king.
  • The purpose of government is to mold nature and society to improve the human condition.

Master narrative: Genealogy and Ancestor Worship

Yellow Emperor Statue
  • Succession by merit: Yao gives the world to Shun, the second ruler, to improve the lives of humans and to give order and proper arrangement to human society.
  • A coherent (and politically attractive) story of China as a country with a single line of rulers from ancient emperors to the present, ideally passed from worthy man to worthy man

The History of Chinese History

Stories about Yao, Shun, Yu were recorded in the Book of Documents (Shangshu 尚书). But what’s the book’s own history?

  • Some sources suggest it was compiled by Confucius (551–479 BC) from a much larger group of documents
  • Part of canon of Five Classics (wujing 五经) and served as the foundation of Chinese political philosophy

Textual Traditions

What is the value of transmitted textual information for the study of China’s antiquity?

Doubting Antiquity Movement

  • China’s antiquity was layered fabrications produced in the later periods
  • China’s history has to be cut short by at least two thousand years, to start only with the Eastern Zhou period (770–256 BC).

Criticisms of the movement

  • Over-reliance on textual records: the study of history reduced to to the study of the dates of texts
  • Sidelined by major archaeological discoveries in the 1920s and 30s: Peking Men, Oracle Bones, Bamboo strips, Shang Bronzes, etc.

Book of Documents As A Material Artefact

Stories about Yao, Shun, Yu were recorded in the Book of Documents (Shangshu 尚书). But what’s the book’s own history?

Bamboo and wooden strips, the main media for writing documents in China before the widespread introduction of paper during the first two centuries AD.
  • Caches of texts written on bamboo slips from tombs, discovered between 1993 and 2008
  • Dated to late Warring States period, around 300 BC, before the burning of the books during the Qin dynasty
  • What’s new? Textual differences and unknown passages.
  • The book was the product of generations of textual transmission – and transformation.

Archaeology and the Study of Early China

Peking Man

Oracle bones

Anyang, Shang Capital

Archaeology and the Study of Early China, continued

First Emperor’s Tomb

Lady Hao grave

Sanxingdui

Discovery of Oracle bones

Anyang
  • Originally sold as “dragon bones” for making Chinese medicine in late 19th century
  • Approximately 100,000 pieces exist in various collections.
  • Nearly half belonged to King Wu Ding, the most powerful Shang king in Anyang.
  • The names of diviners are key to dating oracle-bone inscriptions.

Divination from the Bones

  • A diviner posed a charge (question) for divination.
  • A heated metal stick was used to produce cracks on the bone or shell.
  • The diviners interpreted the cracks as the answer from the ancestors.
  • Inscriptions were then carved near the cracks, often with charges posed in both positive and negative forms.

A sample divination

What can this divination tell us about Shang beliefs?

Preface: Crackmaking on jiashen (day twenty-one)

Charge: “Lady Hao’s child-bearing will be good.”

Prognostication: The king read the cracks and said: “If it be on a ding day that she give birth, it will be good. If it be on a geng day that she give birth, there will be prolonged luck”.

Verification: After thirty-one days, on siayin (day fifty-one), she gave birth. It was not good. It was a girl.

Orale Bones and Divine Hierarchy

Oracle bones
  • Oracles recorded state matters in a theocracy with the Shang king at its apex.
  • In order to divine the future, rulers needed to turn to their ancestors in heaven, who were believed to know about human beings future.
  • Common questions: military campaigns, new settlements, personal concerns like health and dreams.
  • The Shang erased the boundary between the living and the dead, involving the dead in assisting with the gods.

Orale bones and Ancesor worship

Oracle bone with inscription
  • Ancestral worship: Ancestors needed offerings to stay powerful, the king needed their help to rule.
  • Ancestor Worship legitimated the power of the Shang royalty.
  • Evolved into the Zhou Dynasty’s Mandate of Heaven concept.

Myths as Cradle of Inspiration

WH Auden

WH Auden: In Memory of Ernst Toller (d. May 1939)

The shining neutral summer has no voice
To judge America, or ask how a man dies;
And the friends who are sad and the enemies who rejoice

Are chased by their shadows lightly away from the grave
Of one who was egotistical and brave,
Lest they should learn without suffering how to forgive.

Auden: In Memory of Ernst Toller, continued

We are lived by powers we pretend to understand:
They arrange our loves; it is they who direct at the end
The enemy bullet, the sickness, or even our hand.

It is their tomorrow hangs over the earth of the living
And all that we wish for our friends; but existing is believing
We know for whom we mourn and who is grieving.

Lady Hao: What can her tomb tell us about her life?

Lady Hao’s tomb in Anyang. Single large pit, 5.6 m by 4 m at the mouth.
  • Found at Anyang, the last capital of the Shang Dynasty (present-day Henan province).
  • Fu Hao was not buried in the royal cemetery, but 200 meters west of the capital ruins.
  • Only unlooted royal tomb of a Shang royal family member, dated around 1250 BCE and discovered only in 1976.
  • Rich collection: 468 bronze objects (of which 130 were weapons), 755 jade objects, 63 stone objects, 5 ivory items, 564 bone objects, 6,900 cowry shells, and 11 pottery vessels.

Inside Lady Hao’s Tomb

Bronze yue axe from the Tomb of Fu Hao (Tomb 5 at Xiaotun), late Shang dynasty, 1200 B.C.E., Yinxu, Anyang, Henan, China (photo: Augusthaiho, CC BY-SA 4.0)

Bronze owl-shaped zun from the Tomb of Fu Hao (Tomb 5 at Xiaotun), late Shang dynasty, 1200 B.C.E., Yinxu, Anyang, Henan, China (photo: Gary Todd, CC0 1.0)

Bronze ding with her posthumous title, “Si Mu Xin” inscribed on it (as seen on the rubbing on the right), from the Tomb of Fu Hao (Tomb 5 at Xiaotun), late Shang dynasty, 1200 B.C.E., Yinxu, Anyang, Henan, China (photo: Gary Todd, CC0 1.0

Discuss: Life in the City

  • How would Lady Fu Hao’s tomb fit, spatially and socially, in the life of Anyang?
  • How many resources were devoted to constructing the tomb or manufacturing the objects placed in it?
  • What would have been the significance of such large numbers of objects?
  • What can these objects tell us about Shang society and its organization?

Shang: Urbanization, Ritualization and Social Cohesion

Ivory cup in Fu Hao’s tomb
  • Urbanization occurred alongside the establishment of a social order defined by ritualization, which played a crucial role in generating social cohesion and statecraft in early Chinese society.
  • Ritual objects included oracle bones, bronzes, and jade.

Shang: Royal Descent and Ancestor Worship

  • Dynastic authority was distributed through a system of bronze tokens, such as heavy bronze vessels.
  • These tokens were given to units of the royal lineage to establish their kinship.
  • Frequently, these bronze vessels were buried with the members of the royal lineage.