Mid-term Scoring Guidelines

Published

October 14, 2025

When grading your work, I am aware that excerpts in the exam contain a considerable amount of matter and thus I do not expect your answers to be comprehensive in coverage. The performance indicators below suggest areas that you may choose to focus on, but should not be treated as a checklist of points you are expected to cover. I also allow for the fact that this is a complex document that you have not encountered before, even though the broader context and issues should be familiar to you from our class lectures and readings. For this reason, I will reward answers that engage with the document’s ambiguities and gaps and make reasonable inferences without drawing conclusions that are overly rigid or simplistic. Finally, I understand that you are writing under timed pressure and thus only expect a first draft.

Primary Source: Dowager Zhao’s Story

“Chu Long Speaks to Dowager Zhao” is a famous chapter from “Strategies of the Warring States.” This article describes how, in a critical situation where a powerful enemy was pressing the borders and Dowager Zhao sternly refused advice, Chu Long skillfully guided the situation to persuade Queen Mother Zhao with the principle that “loving one’s child means planning for them in the long term.” The story recounts how he convinced her to send her beloved son as a hostage to Qi in exchange for reinforcements, thereby resolving the national crisis. It praises Chu Long’s quality of prioritizing national interests and his talent for ideological work.

High-level Indicators

  • Contextualizes the ferocity and frequency of interstate warfare during the Warring States period, noting common tactics such as hostage-taking.
  • Analyzes concessionary strategies employed by smaller states like Zhao in response to the rising hegemon Qin, and evaluates whether negotiation was a viable alternative.
  • Explores the role of women, especially widows like Dowager Zhao, in pre-Qin politics; despite prevailing gender norms, these women exerted significant influence through political marriages and their mentorship of young monarchs.
  • Examines the figure of the shi (men of worth), exemplified by Chu Long, who emerged as a distinct, meritocratic elite valued for their rhetorical skills and contributions to state-building. This can be connected to other shi, such as Lord Shangyang of Qin.
  • Investigates the rise of city-states as centers of political identity, highlighting how subjects began to see themselves as descendants of their respective polities.
  • Assesses what made Chu Long’s rhetoric particularly effective—his understanding of the psychology of the elderly Dowager Zhao, his empathy for her interests, and his ability to align the interests of Lord Chang’an with those of the State of Zhao.
  • Explores the tension between personal and collective interests, explaining why prioritizing the latter was praised and how this shaped political culture in pre-Qin China.
  • Analyzes the gendered dimensions of the narrative, noting that the passage gained fame partly due to Chu Long’s success in persuading Dowager Zhao to set aside her maternal “selfishness” for the sake of the kingdom.
  • Connects the family debate to Confucian thought, arguing that although Chu Long’s stance appears anti-family, it aligns with Confucianism through its emphasis on the mother’s social duty to her son and subject to the kingdom.
  • Considers the later editing and canonization of the Strategies of the Warring States during the Han dynasty, exploring why this passage was valued and how its emphasis on long-term state interests influenced Han imperial ideology.

Low-level Indicators

  • Neglects the role of Dowager Zhao and the gender dynamics influencing women’s political agency.
  • Provides little context about the warfare of the Warring States period, including brutal tactics like hostage-taking and the impact on smaller states.
  • Fails to connect the text to Confucian discourses on parental authority or to competing ideologies such as Legalism during the period.
  • Overlooks the contribution of men of service, like Chu Long, to the competitive process of state-building.
  • Offers minimal analysis of the moral message advocating self-sacrifice for the collective good and draws no connections to related readings or the passage’s legacy in Chinese political culture.
  • Makes ahistorical or overly generalized claims, such as asserting that Chinese culture inherently prioritizes collective interests over personal ones, or male interests over female, without sufficient qualification.

Secondary Source: On the People as the Root

Traditional Chinese political culture is often seen as paternalistic and hierarchical, portraying commoners as passive recipients of elite benevolence with little political participation. However, popular protests — rooted in the historic overthrow of the Shang by the Zhou — endorsed the right to depose tyrannical rulers, providing ideological justification for insurgents. Historian Yuri Pines examines the concept of the people as the foundation of political legitimacy (minben), highlighting a paradox: while rulers were urged to heed the people’s sentiments, no thinker proposed institutional means for popular political participation. This reflects a deeply rooted elitism, where intellectuals spoke on behalf of the people, whom they deemed incapable of unmediated political expression.

Despite this exclusion, protest and rebellion became vital outlets for commoners to express discontent. Such actions, though illegal, were seen by both elites and people as signs of Heaven’s disfavor toward unjust rulers, thus politically legitimizing rebellion. Although originally intended as a warning for rulers, this notion empowered numerous rebel movements, who frequently claimed Heaven’s sanction. Ultimately, the right to rebel became the sole recognized means by which the oppressed could challenge political authority in traditional China.

High-level Indicators

  • Acknowledges Pines’s argument that there is no inherent contradiction between the paternalistic nature of Chinese political culture and the occurrence of popular protests: while rebels asserted their right to rebel, they did not fundamentally undermine the core basis of political legitimacy. In this framework, physical rebellion is distinct from intellectual dissent.
  • Explores the concept of the “Mandate of Heaven” and its role in maintaining continuity of legitimacy despite frequent, often violent regime changes. This doctrine of popular legitimacy requires challengers to the political order to frame their opposition in the state’s own language to claim legitimacy.
  • Places intellectual elites such as Confucius in context, highlighting their articulation of social hierarchies (e.g., between “gentlemen” and “petty people”) alongside their conviction in the fundamental improvability of the human condition through education, suggesting a nuanced view of social difference.
  • Analyzes the rise of the men of service—bureaucratic elites born out of competitive state-building—and how they came to perceive themselves as representatives of popular sentiment amid ongoing political fragmentation and strife.
  • Notes the presence of intellectual alternatives, such as Daoism, which posed more radical critiques of intellectual elitism and hierarchical social structures.

Low-level Indicators

  • Overlooks the author’s central thesis regarding the coexistence and co-optation of popular uprisings within elite discourses of popular legitimacy.
  • Fails to address how the concept of popular sovereignty emerged during the Warring States period, marking the decline of traditional Zhou aristocracies and the rise of meritocratic elites.
  • Neglects engagement with Pines’s discussion of intellectual elitism and the formation of the men of service class during the Warring States era.
  • Does not consider the tension within Confucian thought between the ideal of the “noble person/gentleman (junzi)” and the belief in universal self-cultivation and improvement.
  • Ignores the role of popular uprisings as a weapon of the weak, capable not only of challenging rulers but also of shifting the balance of power between monarchs and ministers.
  • Assumes stagnation within Chinese political culture or dismisses popular sovereignty outright (e.g., the claim “there is no democracy in China”).
  • Fails to recognize the complexities, contradictions, and nuances present in the writings of Confucius and other classical thinkers.

Multimedia Source: Nezha

Nezha is a multifaceted figure rooted in Chinese Buddhist folklore whose story has evolved over centuries. Originating from the Indian Buddhist guardian deity Vaishravana and later merged with the deified Tang Dynasty general Li Jing, Nezha’s narrative embodies themes of spiritual transcendence, familial conflict, and rebellion. Early tales emphasize his rebellious nature and fraught relationship with his father, symbolizing tensions between Buddhist renunciation and Confucian filial piety. Modern adaptations, such as the 1979 animated film Nezha Conquers the Dragon King, recast these conflicts through the lens of class struggle and political ideology, portraying Li Jing negatively as a symbol of feudal authority and Nezha as a champion of the people. The 2025 adaptation further transforms the story into a broader allegory of individual agency against fate and corrupt power, promoting unity among family and oppressed groups to challenge divine authority. In many ways, Nezha is not just a product of religious encounters between early imperial China and Buddhism; he also became a canvas that reveals the layering of divergent traditions and ideological agendas over the centuries.

High-level Indicators

  • Recognizes that the story of Nezha is historically dynamic and functions as a living text: it not only weaves together diverse intellectual traditions—including Daoism, Buddhism, and Confucianism—but is also continually reinterpreted to align with the ideologies of successive eras.
  • Illuminates how the original Nezha narrative reflects Buddhism’s influence on indigenous Chinese philosophies: Nezha’s rebelliousness and fraught relationship with his father challenge core Confucian values such as filial piety and obedience.
  • Investigates why, in 1979, the Communist Party of China chose to depict Nezha’s father, Li Jing, negatively, interpreting this as a symbolic commentary on class struggle—where Nezha embodies the masses rising against the feudal elite. This portrayal resonates with the immediate post-Cultural Revolution context, when children were encouraged to rebel against their parents during mass political campaigns.
  • Broadens the parent-child conflict in the 1979 Nezha adaptation beyond Chinese cultural boundaries by connecting it to universal themes of selfhood and individuality, drawing parallels to figures like Oedipus and other folklore traditions.
  • Explores traditional Chinese philosophical concepts of selfhood—such as Confucian emphasis on ritual and social hierarchy—and analyzes how film adaptations both draw upon and challenge these intellectual frameworks embedded in historical folklore.
  • Observes the striking role reversal in the 2025 animation, where Daoist priests, formerly seen as guardians of cosmic order, are recast as antagonists.
  • Examines these shifts in characterization to uncover underlying ideological transformations reflected in the narratives.
  • Considers why the 2025 Nezha film, which critiques those in power as corrupt and celebrates individual agency against fate, emerged amid economic downturn and rising youth unemployment in China, suggesting it serves as a subtle yet potent expression of popular discontent within the constraints of state censorship.
  • Reflects on the Chinese Communist Party’s evolving stance—initially critical of traditional culture as feudal residue—to one that embraces history and promotes historical animation as a vehicle for cultural and ideological engagement.

Low-level Indicators

  • Neglects to situate the original Nezha story within the broader context of Buddhism’s transmission and adaptation in China.
  • Overlooks the doctrinal conflicts between Buddhism—especially its emphasis on renunciation and suppression of personal desire—and Confucianism and Daoism, and how these tensions manifest in Nezha’s turbulent relationship with his father.
  • Fails to address Nezha’s status as an unstable and multifaceted symbol: at times a dutiful son, elsewhere a populist hero or an assertive individualist, reflecting shifting ideological currents in Chinese society.
  • Provides insufficient discussion of the notion of self and identity as understood in Chinese cultural and literary traditions, particularly in relation to Confucian teachings.
  • Ignores the significance of the genre—animated film—the target audience (notably children), and the strategic motivations behind the Chinese Communist Party’s investment in this form of cultural production.
  • Adopts an overly dismissive stance toward folklore, or reduces the films simply to CCP propaganda without acknowledging their nuanced cultural and ideological dimensions.
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